Lately, with the advent of spring and opening day of baseball season in the air, I'm reminded of one of the most popular baseball movies--Field of Dreams. I think what made this story so compelling was the strong faith and, yes, hope demonstrated by the main character. Based solely on a voice he hears, he plows down his cash crop corn field and builds a baseball playing field. To what end? his friends, neighbors, even family ask. At first, even he doesn't know why. That's where the faith comes in. I'm not in this instance talking about faith in the scriptural sense (although there are clear parallels in the movie), but instead faith in that voice in his head that says to step out and do something absurd, risk exposing oneself to ridicule, but do it with conviction and believe that the end result will make it all worthwhile.
How is writing a book any different from building a ball field in the middle of nowhere? Authors have to listen to that voice in their heads, the one that won't be ignored, then step out and do something so crazy your friends shake their heads, maybe even discourage you from continuing. When you put your writing out there, you are exposing the story, the characters, the writing, indeed yourself, to judgement from any and all. Who with a lick of sense would do such a thing? Writers of faith. Writers who believe if they write the story, the readers will come. Writers who have a story to tell that won't shut up and leave them alone. Writes who are willing to risk their "cornfield," whatever that may be, to do what they must do.
Now I have a story of faith to tell. I had told myself I was through with horses after a long, long run of bad luck, heartache, and financial depletion through vet bills. Quite a shame, really, since I've got a warm barn, an arena with good footing, a large stock of hay and years working with horses. But recently I started to let the idea of getting another horse seep into my consciousness. "Just for fun," I told myself, I started looking at horses for sale, but what I wanted was either out of reach or would be sold out from under me before I had a chance. Once, a major blizzard hit the day I was to go try one. It was as if fate were pushing me away, pushing in another direction. "If you build it, they will come" is one of the most repeated, often parodied tag lines from the Field of Dreams movie, but in the end it is something we all want to believe. If we prepare, if we believe, the cosmos will put the pieces together in just the right order. And that's what happened. Out of the blue, the horse came, but not at all in the way I'd imagined. Quite unexpectedly he fell in my lap--a beautiful 17 hand Thoroughbred, a lovely mover with a kind, forgiving nature. But just how this happened--I'm saving that bit of the story for another time...stay tuned!
Showing posts with label Thoroughbred. Show all posts
Showing posts with label Thoroughbred. Show all posts
Sunday, April 10, 2016
Sunday, December 20, 2015
Horses, Books, and Sanity
by L. R. Trovillion
I'm only sane because I write and I ride. I see that now.
All last year during a particularly difficult period wherein my horses became unrideable, I swore to anyone who would listen that I had bought my last horse. Friends and family smiled, nodded, and disbelieved me. I was speaking the truth. I'd had my heart broken for the last time. I was done.
A week or so ago I accepted the invitation of a friend to ride a horse at his barn. When I arrived and was shown a very tall, red Thoroughbred ex-racer waiting in the cross ties, I asked myself "What woman of a certain age gets on an OTTB when she hasn't slung a leg over a horse in more than a year?" Well, I'll tell you. A woman who has lost a sense of self preservation or one who is sad over having lost a part of herself. After a short ride (the limit for my out-of-shape muscles) I got off, but wasn't ready to leave. The identity of being a Rider came back to me both barrels and ripped open that plugged up place in my heart which had convinced me that riding was a thing of the past, time to move on, close the book. No. I am a rider--maybe not a great one or even a good one, but that's who I am.
Something inside woke up and took notice. That something got plucked once again this week as I was reading Elizabeth Gilbert's work on creative living, Big Magic. In a passage about persistence I read words that leapt off the page and slapped me in the face. She was talking to me. Gilbert likens the creative mind to a border collie dog. You must give it a job--something to do--or it will find a job you won't much like, such as tearing up the couch. I laughed, how true! But then she hit home, writing about herself: "...if I am not actively creating something, then I am probably actively destroying something (myself, a relationship, or my own peace of mind)." I reflected on this. Think of the "creative temperament" here--the many artists and writers who self-destruct. The creative minds that don't create, destroy. But Gilbert gives those in pursuit of the creative life hope instead of hopelessness. She goes on to explain how creating something gives us an escape. Creating lets us forget for a while our duties, failures, age, backgrounds, enemies and insecurities. Certainly other things in life can do this as well, but by completely absorbing our attention in the act of creating something, for a short and "magical spell" we temporarily relieve ourselves from the "burden" of everyday being. (And as writers, with our stories, hopefully we can relieve others as well.)
So, back to the myth of the tortured artist. As Gilbert points out, it is not creativity that turns people crazy, but rather not expressing it that threatens one's sanity; in other words, repressing who and what you are. So despite the difficulty, the discomfort, the heartbreak and the fear, I am going to do what I must to safeguard my sanity by being both a Rider and a Writer.
I'm only sane because I write and I ride. I see that now.
All last year during a particularly difficult period wherein my horses became unrideable, I swore to anyone who would listen that I had bought my last horse. Friends and family smiled, nodded, and disbelieved me. I was speaking the truth. I'd had my heart broken for the last time. I was done.
A week or so ago I accepted the invitation of a friend to ride a horse at his barn. When I arrived and was shown a very tall, red Thoroughbred ex-racer waiting in the cross ties, I asked myself "What woman of a certain age gets on an OTTB when she hasn't slung a leg over a horse in more than a year?" Well, I'll tell you. A woman who has lost a sense of self preservation or one who is sad over having lost a part of herself. After a short ride (the limit for my out-of-shape muscles) I got off, but wasn't ready to leave. The identity of being a Rider came back to me both barrels and ripped open that plugged up place in my heart which had convinced me that riding was a thing of the past, time to move on, close the book. No. I am a rider--maybe not a great one or even a good one, but that's who I am.
Something inside woke up and took notice. That something got plucked once again this week as I was reading Elizabeth Gilbert's work on creative living, Big Magic. In a passage about persistence I read words that leapt off the page and slapped me in the face. She was talking to me. Gilbert likens the creative mind to a border collie dog. You must give it a job--something to do--or it will find a job you won't much like, such as tearing up the couch. I laughed, how true! But then she hit home, writing about herself: "...if I am not actively creating something, then I am probably actively destroying something (myself, a relationship, or my own peace of mind)." I reflected on this. Think of the "creative temperament" here--the many artists and writers who self-destruct. The creative minds that don't create, destroy. But Gilbert gives those in pursuit of the creative life hope instead of hopelessness. She goes on to explain how creating something gives us an escape. Creating lets us forget for a while our duties, failures, age, backgrounds, enemies and insecurities. Certainly other things in life can do this as well, but by completely absorbing our attention in the act of creating something, for a short and "magical spell" we temporarily relieve ourselves from the "burden" of everyday being. (And as writers, with our stories, hopefully we can relieve others as well.)
Sunday, October 25, 2015
What I learned about Author Branding from the Thoroughbred Makeover
by L. R. Trovillion
On this, the last day of the wildly successful program which takes Thoroughbred ex-racers from the track to various other riding disciplines known as The Thoroughbred Makeover , I'm put in mind of all sorts of career changes and opportunities for second chances. The makeover has grown exponentially over the years and I for one hope that it enjoys continued success in its effort to "redeem" the Thoroughbred's image as a versatile show and pleasure horse. Years ago, the American TB dominated the show world in at least hunter/jumper and eventing disciplines and there was sure to be several on every Olympic team. In recent years, however, the TB has been dismissed for the more popular European warmbloods, which are now enjoying their time in the sun in our sometimes fickle, "breed prejudice" world. I good horse is a good horse and if you find a good TB, you can't beat it.
So what does this have to do with writing and author branding? Just this: If an ex-racehorse can be re-trained and happy as a cowpony or a therapeutic riding mount or a competitive trail horse, why can't a writer change as well? What do you mean, you may ask. Authors these days are strongly encouraged to create a brand for themselves, something that is uniquely associated with their books, their genre, their style. This branding goes so far as to lock the writer into the same style book covers, endless serialization, and the same genre. What happens if a writer wants to "break out" into a new genre. Like the ex-racer, what if she starts out successfully as a historical romance writer but in her heart really feels the call of techno-science fiction? Can she take her established name and brand and move into that new territory? Does she need to write in a new genre under a new name? I know some who have done this and have a different pen name for all their different brands.
I would like to believe that a good writer, like a good Thoroughbred, is a winner no matter what he/she choses to pursue. I also believe in trying new things to see what you're good at, hopefully without the crippling fear that a "failure" would tarnish your author brand forever. I don't want to be locked into one genre, one restrictive type, one career as a runner and then retired forever. Writers and readers, what do you think? Is it worth the risk to sign up for The Makeover?
On this, the last day of the wildly successful program which takes Thoroughbred ex-racers from the track to various other riding disciplines known as The Thoroughbred Makeover , I'm put in mind of all sorts of career changes and opportunities for second chances. The makeover has grown exponentially over the years and I for one hope that it enjoys continued success in its effort to "redeem" the Thoroughbred's image as a versatile show and pleasure horse. Years ago, the American TB dominated the show world in at least hunter/jumper and eventing disciplines and there was sure to be several on every Olympic team. In recent years, however, the TB has been dismissed for the more popular European warmbloods, which are now enjoying their time in the sun in our sometimes fickle, "breed prejudice" world. I good horse is a good horse and if you find a good TB, you can't beat it.
So what does this have to do with writing and author branding? Just this: If an ex-racehorse can be re-trained and happy as a cowpony or a therapeutic riding mount or a competitive trail horse, why can't a writer change as well? What do you mean, you may ask. Authors these days are strongly encouraged to create a brand for themselves, something that is uniquely associated with their books, their genre, their style. This branding goes so far as to lock the writer into the same style book covers, endless serialization, and the same genre. What happens if a writer wants to "break out" into a new genre. Like the ex-racer, what if she starts out successfully as a historical romance writer but in her heart really feels the call of techno-science fiction? Can she take her established name and brand and move into that new territory? Does she need to write in a new genre under a new name? I know some who have done this and have a different pen name for all their different brands.
I would like to believe that a good writer, like a good Thoroughbred, is a winner no matter what he/she choses to pursue. I also believe in trying new things to see what you're good at, hopefully without the crippling fear that a "failure" would tarnish your author brand forever. I don't want to be locked into one genre, one restrictive type, one career as a runner and then retired forever. Writers and readers, what do you think? Is it worth the risk to sign up for The Makeover?
Sunday, August 2, 2015
Horse Personality and Characters
A non-horsey friend remarked to me recently that she was amazed to learn that horses have individual personalities. It had never occurred to her. We who spend our lives with horses would respond, "Of course they do! What did you think?" Indeed, we who know and love horses have no doubt run across certain ones who suffer from, shall we say, an excess of personality! (Dear Red Mare of mine, I'm thinking of you.)
No two horses I've owned have ever been alike. Sure, they all had their individual strengths and weakness as far as training and talent, but more than that, they each had their own quirks, favorite treats, fears, and games they'd play with me or each other. I had one little grade horse who loved those horrible, chalky valentines candy hearts so much he would come running across a ten-acre field when he heard the box shake. Another, a huge ex-racer (pictured above), would roll on one side and instead of rising to his feet or flipping to the other side, usually sat up on his butt and walked his front feet across in order to collapse on his other side. The first time I witnessed him doing this, I ran into the field, certain that he had broken his pelvis or something.
I'm sure every horse lover reading this is conjuring up some kooky or endearing habit of a favorite horse. So now I have to ask, why are horses in books devoid of individual personality? Yes, they are often bold and generous and courageous or forgiving, but how about less lofty, abstract traits in favor of more concrete ones? Full confession, I feel now that I was remiss in not giving my horse characters in my novel more unique personalities. So, what do you say out there readers? Can you give me some experiences you've had with quirky, crazy, funny horse traits or have you known a real horse character who is crying out to be in a novel of his own? Would love to hear from you!
No two horses I've owned have ever been alike. Sure, they all had their individual strengths and weakness as far as training and talent, but more than that, they each had their own quirks, favorite treats, fears, and games they'd play with me or each other. I had one little grade horse who loved those horrible, chalky valentines candy hearts so much he would come running across a ten-acre field when he heard the box shake. Another, a huge ex-racer (pictured above), would roll on one side and instead of rising to his feet or flipping to the other side, usually sat up on his butt and walked his front feet across in order to collapse on his other side. The first time I witnessed him doing this, I ran into the field, certain that he had broken his pelvis or something.
I'm sure every horse lover reading this is conjuring up some kooky or endearing habit of a favorite horse. So now I have to ask, why are horses in books devoid of individual personality? Yes, they are often bold and generous and courageous or forgiving, but how about less lofty, abstract traits in favor of more concrete ones? Full confession, I feel now that I was remiss in not giving my horse characters in my novel more unique personalities. So, what do you say out there readers? Can you give me some experiences you've had with quirky, crazy, funny horse traits or have you known a real horse character who is crying out to be in a novel of his own? Would love to hear from you!
Sunday, July 5, 2015
Thinking About Having to Say Good-bye
After a night of loud, explosive fireworks shot off just beyond the tree line of my horses' field, I breathed a sigh of relief after counting noses this morning to find that they were all present and unharmed. I'm sure all pet owners know that feeling--holding one's breath while the vet conducts his examination or opening the medical test results with a whispered prayer... Sometimes the news is a relief and you exhale that breath you didn't know you were holding. But other times, it's not.
I'm facing a battle with one of the best horses I've ever owned. The battle is to keep him alive and it's being waged on two fronts. My beloved Clyde/TB, Paddy, has been diagnosed with Inflammatory Airway Disease (IAD/RAO) and at times during the hot, humid summers here in Maryland, his respiration has zoomed up to seventy respirations per minute. The oral steroid treatment caused a bout of laminitis, but the inhalant therapy gives him a large measure of comfort. That comfort comes with a huge price tag. (One inhalant can cost over $300 and only lasts a week during a severe flare up.) The second battle front opened recently when he was also diagnosed with Insulin Resistance (IR). His diet was immediately modified to eliminate sugar and starches as much as possible and his time out on grass was cut down. He also can no longer be fed his beloved apples, carrots, sugar cubes and peppermint treats (although I did find some sugar-free mints). I feel guilty that I may have contributed to this by "killing him with kindness" and over feeding. Unfortunately, the recommended treatment for IR is to get him fit and to lose weight, but that is a challenging task when he can't breathe! Thus, the war on two fronts.
I have fought a good fight. I've purchased a Haygain hay steamer, his stall is dust free, his food is weighed and I've done my best to get the weight off and improve fitness. Time will tell, but I'm not deluding myself---he could have to be put down if we can't get a handle on his problems. No pet owner wants to contemplate, let alone carry out, that task but it is our ultimate responsibility for each pet we take on. It never gets easier. Moreover, if you do have to take that step, as an owner, friend, and partner, you don't want it to be for financial reasons. Where horses are concerned, however, it sometimes is the case. I just don't want to look in Paddy's eye on that day and know that I could keep him alive if only I had a money tree. Believe me, I have taken the high road and done whatever was necessary in the past to prolong his life and keep hope afloat. I've nursed him through Potomac Fever, Equine Protozoal Myloencephalitis (EPM), and orthoscopic surgery before this latest affliction. Still. I wish I could wash my hands of this responsibility for life or death, but I can't. No owner can because they are depending on you to do what's right, no matter how hard it is.
Meanwhile, hope is still alive and I look for small signs of improvement. I take joy in every day I have him, whether he is rideable or not. I am eternally grateful for the past we shared, I do what has to be done one day at a time, and try not to worry too much by peering into the uncertain future.
The passing of a beloved animal is a powerful transition for those who are left to mourn. It is no wonder that some fragments of these experiences have found their way into my stories and therefore have provided some measure of eternity for those departed friends.
I'm facing a battle with one of the best horses I've ever owned. The battle is to keep him alive and it's being waged on two fronts. My beloved Clyde/TB, Paddy, has been diagnosed with Inflammatory Airway Disease (IAD/RAO) and at times during the hot, humid summers here in Maryland, his respiration has zoomed up to seventy respirations per minute. The oral steroid treatment caused a bout of laminitis, but the inhalant therapy gives him a large measure of comfort. That comfort comes with a huge price tag. (One inhalant can cost over $300 and only lasts a week during a severe flare up.) The second battle front opened recently when he was also diagnosed with Insulin Resistance (IR). His diet was immediately modified to eliminate sugar and starches as much as possible and his time out on grass was cut down. He also can no longer be fed his beloved apples, carrots, sugar cubes and peppermint treats (although I did find some sugar-free mints). I feel guilty that I may have contributed to this by "killing him with kindness" and over feeding. Unfortunately, the recommended treatment for IR is to get him fit and to lose weight, but that is a challenging task when he can't breathe! Thus, the war on two fronts.
I have fought a good fight. I've purchased a Haygain hay steamer, his stall is dust free, his food is weighed and I've done my best to get the weight off and improve fitness. Time will tell, but I'm not deluding myself---he could have to be put down if we can't get a handle on his problems. No pet owner wants to contemplate, let alone carry out, that task but it is our ultimate responsibility for each pet we take on. It never gets easier. Moreover, if you do have to take that step, as an owner, friend, and partner, you don't want it to be for financial reasons. Where horses are concerned, however, it sometimes is the case. I just don't want to look in Paddy's eye on that day and know that I could keep him alive if only I had a money tree. Believe me, I have taken the high road and done whatever was necessary in the past to prolong his life and keep hope afloat. I've nursed him through Potomac Fever, Equine Protozoal Myloencephalitis (EPM), and orthoscopic surgery before this latest affliction. Still. I wish I could wash my hands of this responsibility for life or death, but I can't. No owner can because they are depending on you to do what's right, no matter how hard it is.
Meanwhile, hope is still alive and I look for small signs of improvement. I take joy in every day I have him, whether he is rideable or not. I am eternally grateful for the past we shared, I do what has to be done one day at a time, and try not to worry too much by peering into the uncertain future.
The passing of a beloved animal is a powerful transition for those who are left to mourn. It is no wonder that some fragments of these experiences have found their way into my stories and therefore have provided some measure of eternity for those departed friends.
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