Although the weather is still hot and dry here, the subtle (and not so subtle) signs of autumn are all around me: the burning bush is turning red, the stores are displaying Halloween decorations, and the kids are back to school. I don't know about you, but I always equate the autumn with new beginnings, a fresh start, a chance at a new adventure. When I started each new school year with a stack of blank notebooks and sharpened pencils, I vowed to myself that this year would be different. This was the year I was going to (fill in the blank here.) Depending on the given year, it could be get better grades, be more outgoing, try out for sports, or as simple as not procrastinate. Usually by mid-October, however, the shiny new promises I made myself were as scuffed and neglected as my back-to-school shoes. Walking around in life puts a few smudges and dirt on those idealized vows.
Nonetheless, I still make new plans and search out new opportunities in the fall and this year is no different. Since I've been struggling with my present work in progress (or WIP for short), I'm tempted to jettison the tiresome task for something fresh and new. There is nothing like starting out a new work, be it a short story, novel or poem, when the fire of inspiration is on you. The words seem to fly like electricity from the brain cells through the arms to fingers, words of sheer genius madly spilling across the computer screen or notebook page. Then you hit the slump, the saggy middle, the problematic plot stopper, the self-critical editor...the mid-October blahs. What then? How do you get that "back-to-school" new beginnings promise back into your work? Do you buy a new, fancy pen and notebook? Do you look through pictures to inspire or turn to your writing manuals on plot and characterization? Sometimes. Or, do you jump ship and start a new project and just pray that the old one will come to life again in the future? Every writer has a different answer to this same dilemma.
I'll tell you what I'm doing now with the old WIP when I'm sorely tempted to fall in love with a fresh, new project instead. I'm doing something to help me become intrigued by my old characters, to re-discover and re-invent the theme that originally inspired me, and to get back to the "butt in seat, hands to keyboard" discipline that any writer needs to not only succeed but just finish a book! Not unlike bringing a horse back into work which has been laid off due to sickness or injury, I've had to start slow and review the basics. At first I took my story which had been on "stall rest" and lost all its muscle out for a ride and found it just couldn't keep up, so I went back to the barn and did a complete assessment of where the weaknesses were. Having identified two-dimensional characters, stilted scenes, plodding plot points, I fixed or eliminated these "lamenesses" by drawing up entire profiles of my main characters or by painstakingly mapping out timelines or sequences of events. Surprisingly, by doing these "fundamental exercises" I not only improved the story I had, but also became excited about it again. I gained new insights into the characters' motivations, I saw new ways to keep the suspense turned up, and I fell in love with this old WIP in the season of new beginnings. I guess those old, scuffed shoes still have a lot of miles of adventure left in them after all. What's going to inspire you this fall during the season of starting over?
Showing posts with label New Beginnings. Show all posts
Showing posts with label New Beginnings. Show all posts
Sunday, August 30, 2015
Back to School and Fresh New Starts
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Monday, February 23, 2015
Writing Educational Horse Books
by Christine Meunier
When I was a young girl, I loved to read any horse book I could get my hands on. I loved to read, period. But as someone who didn't yet have a horse, I was learning horses via my reading.
Today I try to provide the same for readers of my books. My debut novel Horse Country - A World of Horses, explores the lives of four women working in the horse industry - two as instructors, two in the thoroughbred breeding industry. The book is very factually based, as I wanted readers to recognise what it is like working with horses. I also wanted them to learn about these two equine related careers.
This was able to be written as I travelled North East Victoria in Australia, working on thoroughbred studs, as well as at a couple of riding schools in Melbourne, Victoria. A stint overseas at the Irish National Stud increased my horse breeding knowledge and practical skills. This knowledge went into my debut novel.
The same can be said for my Free Rein series. Although aimed at younger readers (8 - 12 year olds) and a lot more fiction than fact, it is still factually based and contains realistic information with regards to keeping ponies, their care, and riding them.
I struggle when I read a horse book that isn't correct factually, so it's my hope that as horse crazy readers journey with me by reading one of my novels, that they will enjoy the storyline, but also enjoy the learning that comes with reading about horses.
For me, it's important that books although fiction, are realistic with any facts, whether they be about history, animals or a particular career. I realise that even in horse books, terms can be misunderstood or different depending on the country the author originates from: my first horsey reads were the Saddle Club and once I joined pony club, my Australian riding mates were surprised to hear me talking about posting to the trot! (In Australia, it's known as the rising trot).
In a way, this is another thing I love about reading horse books - learning new terminology! I needed to learn quickly in Ireland that the horse box was the vehicle we used to transport horses (a float in Australia) and not a stall that we house them in for a time!
What horse book or series have you read and learnt from?
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| Horse Country by Christine Meunier |
Today I try to provide the same for readers of my books. My debut novel Horse Country - A World of Horses, explores the lives of four women working in the horse industry - two as instructors, two in the thoroughbred breeding industry. The book is very factually based, as I wanted readers to recognise what it is like working with horses. I also wanted them to learn about these two equine related careers.
This was able to be written as I travelled North East Victoria in Australia, working on thoroughbred studs, as well as at a couple of riding schools in Melbourne, Victoria. A stint overseas at the Irish National Stud increased my horse breeding knowledge and practical skills. This knowledge went into my debut novel.
![]() |
| New Beginnings, by Christine Meunier |
I struggle when I read a horse book that isn't correct factually, so it's my hope that as horse crazy readers journey with me by reading one of my novels, that they will enjoy the storyline, but also enjoy the learning that comes with reading about horses.
For me, it's important that books although fiction, are realistic with any facts, whether they be about history, animals or a particular career. I realise that even in horse books, terms can be misunderstood or different depending on the country the author originates from: my first horsey reads were the Saddle Club and once I joined pony club, my Australian riding mates were surprised to hear me talking about posting to the trot! (In Australia, it's known as the rising trot).
In a way, this is another thing I love about reading horse books - learning new terminology! I needed to learn quickly in Ireland that the horse box was the vehicle we used to transport horses (a float in Australia) and not a stall that we house them in for a time!
What horse book or series have you read and learnt from?
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