From the time I can remember, I’ve always loved horses and
stories. Like many young girls, I devoured books about horses like they were my
grandmother’s Thanksgiving turkey.
I was luckier than most. I was born to a horse crazy mother
who traded daily chores for partial board at a local hunter jumper stable. Too
little to wield a pitchfork, I investigated every inch of the barn while she
cleaned. I was not, however too little to ride.
I have a candid black and white photo of me aboard my aunt’s
mare. It’s not the best picture – the frame stops before the horse does but
what’s important is that I’m smiling and you can tell that I’m so young that I
probably haven’t taken my own first steps yet.
By the time I was 2, I would ambush my parent’s friends as
soon as they walked in the door, and drag them to a couch. They were made to
sit while I “read” to them. Page by page, I read them the story of Cinderella.
More than a few of them were shocked! Two years old and reading? That was until
the day that I was reading away, pleased with myself, oblivious that the book
was upside down.
When I started going to school and teachers would ask me
what I wanted to be when I grew up, it never occurred to me to be anything but
a writer and a horse trainer.
The thing is, as I grew up, I never thought to put those two
dreams together. Yet, it seemed obvious to everyone I met. “Why don’t you write
a horse novel?” Truth be told, when someone pointed it out, the idea terrified me. And here’s why.
As a preteen, I read and reread every Walter Farley book I
could beg, borrow or buy. I loved them
all – the freedom of the Black, the extraordinary bond between him and Alec,
the wise words of their trainer, but my favorite was always The Black Stallion
and the Girl. I was miserable for at least a week after I finished reading it.
So heart-breaking and so healing and yet – every time I read it, I always
wanted to rewrite the ending. I had horses growing up, great horses, but as a
youngster I couldn’t truly imagine the bond between Black Sand, a traumatized
colt and his bohemian rider. It fascinated me. To this day, that novel is on my
Top Ten Novels to reread every few years.
But somehow in my own world, writing and horses were two
separate things. The yin and yang of my heart that never blended. I started to wonder why I wasn't comfortable linking the two loves of my life.
Fear. If I fail at
writing, at least I have horses. If I fail at horses, at least I have writing. If I combined them and failed – who would I be?
Fear held me captive until I lost my heart horse, Took. At the
time, I’d been scribbling away at a fantasy story about a princess who was
really a tom boy, a court jester who was really a magician and a young prince
who had removed himself from court for so long, he’d become an urban legend. Let’s
not forget the Princess's lazy dog-type companion and last but not least, her
faithful and feisty war horse.
Of course her war horse was modeled after my heart horse.
Through the story, I was able to describe him as I saw him and how I saw us in
some alternate universe. It was a fabulous escape and it was safe as I never
had to let anyone actually read it. No one would be able to see my vulnerability when it came to Took.
Then Took died. I found it too painful to craft amazing
adventures in faraway lands for us. Remembering that no one ever had to see my
story, I did something I never thought I could do. I killed off my protagonist’s war horse. I stole her best friend. I wrote about losing Took,
each key stroke banging out the pain of his death. I wrote exactly how I felt.
And then, much
like I challenged myself, I challenged her to learn how to live again.
That story hasn’t grown since then. I intend to finish it
and now I know I will. After all of that, I’m no longer afraid to combine the
two halves of my heart. Perhaps melding them is where true happiness lies.
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